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Co-authored-by: Cursor <cursoragent@cursor.com>
컨셉 목업의 다크 코드는 버리고 캔버스·액센트에 가까운 Vitesse Light 계열을 쓴다. Co-authored-by: Cursor <cursoragent@cursor.com>
콘텐츠 이식 전에 토큰·레이아웃·Prism을 컨셉에 맞춘다. Co-authored-by: Cursor <cursoragent@cursor.com>
코드는 Prism 라이트, 레이아웃은 mock, three는 히어로 island만 올린다. Co-authored-by: Cursor <cursoragent@cursor.com>
Phase 1 paper/sage hex를 canvas·accent #16A36A·4px space로 맞춘다.
Three.js는 Home만 lazy 로드하고 reduced-motion·모바일은 SVG 폴백을 쓴다.
preview에 prism-vitesse-light를 로드하고 ColorwayShell 토큰명을 맞춘다.
변경 내용 없이 줄바꿈·공백만 정리한다.
client: visible island와 한글 글리프 번들에 필요하다. Co-authored-by: Cursor <cursoragent@cursor.com>
인라인 IntersectionObserver 대신 Astro visible 하이드레이션을 쓴다. Co-authored-by: Cursor <cursoragent@cursor.com>
Lighthouse가 14px 메타·코드 토큰에서 3.x:1을 잡았다. Co-authored-by: Cursor <cursoragent@cursor.com>
Co-authored-by: Cursor <cursoragent@cursor.com>
Co-authored-by: Cursor <cursoragent@cursor.com>
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왜
Phase 1 스캐폴드는 paper
#FAFAF8·sage#3F6B5A자리 토큰과 껍데기 Home만 갖고 있다. Phase 2 콘텐츠 이식 전에docs/conventions/design.md계약(따뜻한 캔버스·민트 액센트·손글씨 디스플레이·Prism Vitesse Light)을 실제 페이지에 고정해야 이후 MDX·Collections가 같은 레이아웃 위에 올라간다.흐름
flowchart TD subgraph ASIS["AS-IS"] A1["Phase 1 토큰·Home 껍데기"] --> A2["design.md와 시각 불일치"] A2 --> A3["Phase 2 레이아웃 재작업 위험"] end subgraph TOBE["TO-BE"] B1["design.md StyleX·Prism·폰트"] --> B2["Home·mock article·wiki"] B2 -->|"성공"| B3["Phase 2는 콘텐츠만 이식"] B2 -->|"한계"| B4["한글 웹폰트 용량은 perf를 깎을 수 있음"] end style A3 fill:#ffebee,stroke:#c62828,color:#c62828 style B3 fill:#e8f5e9,stroke:#2e7d32,color:#2e7d32 style B4 fill:#fff3e0,stroke:#e65100,color:#e65100효과
범위
flowchart TD subgraph IN["이번 PR"] I1["토큰·Noto KR·Prism AA·CodeBlock·HeroCanvas island·Home·mock·Storybook"] end subgraph NEXT["후속"] N1["MDX Collections·실 기사 — phase-2 PLAN"] N2["colorway 다중 테마 — phase-2"] end subgraph OUT["제외"] X1["Pagefind·다크모드·Quiz — SPEC 비목표"] X2["기사 본문 Three — Home 히어로만"] end검증